overview
Photo by Niklas Zimmer, from Edge of Wrong 2014
The thirteenth edition of EDGE OF WRONG features 25 experimental musicians and visual artists from Lebanon, Turkey, Norway, the UK, the US, France, Switzerland, Namibia and South Africa, as well as a full day program of hands-on workshops, talks and open conversations.
Join us as we explore the cutting edges of noise, free jazz, improvisation, modular synthesis, abstract electronica, neoclassical, field recording, drone, ambient, scum-punk, hip-hop and psychedelic shaabi, along with visual and performance art.
CT Facebook event
JHB Facebook event
artists
schedule
Thu 19 April, 7-11pm (R50)
The Drawing Room
87 Station Rd, Observatory, CT
• Dionysou Doulos
• Nick Mulgrew
• Beeatsz (Utku solo)
• Gaivln Kieln
• As Is
• Open jam (bring your instruments!)
Fri 20 April, 7pm-12am (R100)
Community House
41 Salt River Rd, Salt River, CT
• Jacques van Zyl
• Chantelle Gray Lliezel Ellick & Armin Hensel
• Daniel W J Mackenzie
• Monomort, Justin Allart, & Utku Tavil
• Tatie PETANOL
• Organi Caldi
Sat 21 April, 11am-3pm (FREE)
Day Program, Observatory
Observatory Community Hall, Station Rd, Observatory
• 11am: Interview with Matt Burnett (ODORBABY) and Anatole Petit (Tatie Petanol)
• 12pm: Multiversal in Europe & Beyond - Anja Tedesko
• 1pm: Ectopic Music: Panel Discussion with the Edge of Wrong organisers
• 2pm: Noise Music, Parasites and Stranger Things - Chantelle Gray
Sat 21 April, 7pm-4am (R100)
Bedrock Manor
31 Hughenden Rd, Hout Bay
• Mer Roberts (screening)
• Robin Brink
• Praed
• Maxim Starcke
• Aragorn23
• Chris Woods
• Nonentia & Vilho Nuumbala
• Edge of Wrong family band techno dance party!
Fri 27 April, 7-11pm (R100)
The Bioscope
286 Fox St, JHB
• Daniel Gray
• Daniel W J Mackenzie
• Aragorn23 & Chantelle Gray
• WOW (Morten Kristiansen & Utku Tavil)
• ODORBABY
• Anatole Petit
Sat 28 April, 2-11pm (R100)
Blo
32 7th Avenue, Parkhurst, JHB
• Free workshops from 2-7pm (see day program)
• Dionysou Doulos
• Matt Burnett
• Praed
• Organi Caldi
• Sister Tehanu
• Open techno dance party
day program & workshops
The 2018 Edge of Wrong marks the 13th annual festival of electronic, experimental and outrageous sounds. This year, we will include a day program to create dialogue between experimental artists and their audiences, share insights into technique, aims, aesthetics and socio-political influences, and explore philosophical avenues. We will also be hosting a series of practical workshops on modular synthesis, gestural composition and more.
Schedule
Sat 21 April, 11-3pm (FREE)
Observatory Community Hall, Station Rd, Observatory, CT
— 11am: Interview with Matt Burnett (ODORBABY) and Anatole Petit (Tatie Petanol) —
Matt Burnett’s practice focuses on listening experiences, quadraphonic sound projection/composition, and noise/social media interaction. Listening experiences are the foundation for his radio show that he uses to combine and present what he calls ‘listening objects’. His website is: http://mattburnettmusic.com
Anatole Petit is an entertainer and works with drums. He is interested in mistakes and the ways in which these provoke new expressions. He is part of the collective RPT that focuses on DIY, noise, nonsense and happiness. More information can be found here: http://reactionpowertrio.tumblr.com/
•
— 12pm: Multiversal in Europe & Beyond - Anja Tedesko —
Devoted to DIY and anti-establishment politics and action, Anja co-curates and coordinates Multiversal, a roaming series of gatherings around Europe, focusing on non-genre oriented sounds and other forms. She also single-handedly runs, Philoxenia and Soul Food Kitchen, initially a mobile kitchen project which started as an immediate response to the so-called "refugee crisis" in Greece in 2015. After being active in Turkey and Serbia, now running the project is the sole kitchen that prepares and serves food without any breaks twice a day every day in Thessaloniki, Greece, for people on the streets, refugees, homeless/poor and others who are in need.
At Edge of Wrong, she would be interviewed by her partner in crime Utku Tavil, regarding politics of DIY organization, its aspects as a political action and her projects.
•
— 1pm: Ectopic Music: Panel Discussion —
The range of electronic and experimental music found today has engendered new desires: for noise, for discomfort, for disrupting hierarchies of music knowledge and so on. To what extent are these forms of music ectopic and how do they engage with that which is ectopic?
The organisers of Edge of Wrong, Lliezel Ellick, Rosemary Lombard, Morten Kristiansen, Daniel Mackenzie and Aragorn Eloff, will be in conversation with each other.
•
— 2pm: Noise Music, Parasites and Stranger Things —
Chantelle Gray is a Senior Researcher at the Institute for Gender Studies, Unisa (University of South Africa). She is interested in the gendered complexities of the music industry, particularly in noise music, and is currently working on a series of music philosophy articles suited for the contemporary experimental scene, such as noise music, electronic arrangements, experimental forms of music and gestural composition. In this talk, she will explore noise music through the concept of the parasite. She can be found here: https://chantellegray.bandcamp.com/ and https://unisouthafr.academia.edu/ChantelleGrayvanHeerden
Sun 22 April, 12-5pm (FREE)
The Drawing Room, 87 Station Rd, Observatory, CT
— 12pm: Modular synthesis workshop —
Join Aragorn23 and Dionysou Doulos for a hands-on workshop exploring hardware modular synthesizers. The workshop will cover the basics of patching sounds on a modular, compositional and live performance techniques and how to build your own modules for cheap with Eurorack DIY.
•
— 2pm: Gestural composition workshop with Chantelle Gray —
Gestural composition uses the body in combination with digital technology to create dynamic performances. A well-known example is the musical instrument dubbed ‘Lady’s Glove’, which was designed by pioneering gestural composer, Laetitia Sonami (see https://www.youtube.com/watch?v=ngygk20M1pI). In this work, she uses this ‘glove’ to trigger and manipulate sound during live performances. In my own gestural work, a non-tactile gestural controller or motion sensor detects my movement and position in 3D space. We will discuss this during the workshop and give participants the opportunity to try it out.
•
— 4-5pm: How I got rich making harsh noise music. —
The pleasure of pain in music and why loud matters, with Edge of Wrong founder Morten Minothi.
Sat 28 April, 2-7pm (FREE)
Blo, 32 7th Avenue, Parkhurst, JHB
— 2-4pm: Gestural composition workshop with Chantelle Gray—
Gestural composition uses the body in combination with digital technology to create dynamic performances. A well-known example is the musical instrument dubbed ‘Lady’s Glove’, which was designed by pioneering gestural composer, Laetitia Sonami (see https://www.youtube.com/watch?v=ngygk20M1pI). In this work, she uses this ‘glove’ to trigger and manipulate sound during live performances. In my own gestural work, a non-tactile gestural controller or motion sensor detects my movement and position in 3D space. We will discuss this during the workshop and give participants the opportunity to try it out.
•
— 12pm: Modular synthesis workshop —
Join Aragorn23 and Dionysou Doulos for a hands-on workshop exploring hardware modular synthesizers. The workshop will cover the basics of patching sounds on a modular, compositional and live performance techniques and how to build your own modules for cheap with Eurorack DIY.
Limited edition festival 7" vinyl
We'll be releasing a collection of 7" records of the artists performing at Ectopias. Each record will be available in an ultra-limited, signed micro-edition of 10 copies on transparent vinyl. Here's a teaser of what you can expect from the 14 artists appearing on 7" this year:
tickets
We have limited presale tickets available for the Cape Town leg of the festival for a lower price than door entry. These will grant you full access to all three days.
About Edge of Wrong
The Edge of Wrong (EOW) festival began in 2006 and has, over the past decade, grown into an important and well-recognised hub for the exchange of experimental and improvisational music/arts between Norway, South Africa and other countries. EOW aims to create a framework for exploratory creativity that prioritises collaboration between different cultural groupings. We believe that the arts provide invaluable and necessary means to bridge cultural differences and expand knowledge systems, and that collaborative artistic projects bring individuals together, facilitating lasting connections between communities.
Since 2014 the annual South African festival has given rise to a number of smaller satellite events which develop themes that emerge during the flagship annual festivals and which have served to further grow the EOW community. Currently in its 13th year, EOW has grown into an established production network intent on creating a supportive, nurturing environment for alternative forms of creative sonic and visual expression.
2018 marks several substantial changes in our approach: in order to contextualise the creative explorations showcased at EOW and make them more socio-politically relevant, we are presenting all of this year’s activities under a single theme. This broad theme, Ectopias, connotes outsideness and the beyond; we hope that this focus will provide not just a fertile grounds for creative experimentation but that it will encourage engagement with pressing issues around geographical displacement, migration, refugee crises, the resurgence of fascist ideologies and the ethics and complexities of cultural exchange in postcolonial contexts.
Additionally, inspired by groundbreaking international events like Poland’s annual Unsound festival, this year sees the launch of our day program. Convened by Dr Chantelle Gray, a researcher working at the intersections of gender, experimental music and radical pedagogy, the day program will seek to create dialogue between experimental artists and their audience, share insights into technique, aims, aesthetics and socio-political influences, and explore various philosophical avenues and political problematics. In this way, we believe, our regular evening program will be extended and enriched, developing the community that has grown up around the event and giving participants more meaningful opportunities to critically engage and collaborate.
Finally, in collaboration with local record manufacturers Contour Vinyl we will also be releasing a number of highly limited 7"s of artists performing at EOW, for sale exclusively at the events.